Music
Main article: Music of Indonesia
On June 29, 1965, Koes Plus, a leading Indonesian pop group in the 1960s, 1970s and 1980s, was imprisoned in Glodok, West Jakarta,
for playing Western-style music. After the resignation of President
Sukarno, the law was rescinded, and in the 1970s the Glodok prison was
dismantled and replaced with a large shopping mall.
Kroncong is a musical genre that uses guitars and ukuleles as the main musical instruments. This genre had its roots in Portugal and was introduced by Portuguese traders in the 15th century. There is a traditional Keroncong Tugu music group in North Jakarta
and other traditional Keroncong music groups in Maluku, with strong
Portuguese influences. This music genre was popular in the first half of
the 20th century; a contemporary form of Kroncong is called Pop
Kroncong.
Angklung musical orchestra, native of West Java, received international recognition as UNESCO has listed the traditional West Java musical instrument made from bamboo in the list of intangible cultural heritage.[1][2]
The soft Sasando music from the province of East Nusa Tenggara in West Timor is completely different. Sasando uses an instrument made from a split leaf of the Lontar palm (Borassus flabellifer), which bears some resemblance to a harp.
Dance
Minangkabau Tari Piring (plate dance)
Indonesian dance reflects the diversity of culture from ethnic groups
that composed the nation of Indonesia. Austronesian roots and
Melanesian tribal dance forms are visible, and influences ranging from
neighboring Asian countries; such as India, China, and Middle East
to European western styles through colonization. Each ethnic group has
their own distinct dances; makes total dances in Indonesia are more than
3000 Indonesian original dances. However, the dances of Indonesia can
be divided into three eras; the Prehistoric Era, the Hindu/Buddhist Era
and the Era of Islam, and into two genres; court dance and folk dance.
There is a continuum in the traditional dances depicting episodes from the Ramayana and Mahabharata from India, ranging through Thailand, all the way to Bali. There is a marked difference, though, between the highly stylized dances of the courts of Yogyakarta and Surakarta
and their popular variations. While the court dances are promoted and
even performed internationally, the popular forms of dance art and drama
must largely be discovered locally.
During the last few years, Saman from Nanggroe Aceh Darussalam has become rather popular and is often portrayed on TV. Reog Ponorogo is also a dance that originated from the district Ponorogo, East Java, which is a visualization of the legendary story Wengker kingdom and the kingdom of Kediri.
A popular line dance called Poco-poco was originated in Indonesia and also popular in Malaysia,
but at early April 2011 Malaysian Islamic clerics ban poco-poco dance
for Muslims due to they believe it is traditionally a Christian dance
and that its steps make the sign of the cross.[3]
Drama and theatre
Wayang, the Javanese, Sundanese, and Balinese shadow puppet theatre shows display several mythological legends such as Ramayana and Mahabharata,
and many more. Wayang Orang is Javanese traditional dance drama based
on wayang stories. Various Balinese dance drama also can be included
within traditional form of Indonesian drama. Another form of local drama
is Javanese Ludruk and Ketoprak, Sundanese Sandiwara, and Betawi Lenong. All of these drama incorporated humor and jest, often involving audiences in their performance.
Randai is a folk theatre tradition of the Minangkabau people of West Sumatra, usually performed for traditional ceremonies and festivals. It incorporates music, singing, dance, drama and the silat martial art, with performances often based on semi-historical Minangkabau legends and love story.
Modern performing art also developed in Indonesia with their distinct
style of drama. Notable theatre, dance, and drama troupe such as Teater Koma are gain popularity in Indonesia as their drama often portray social and political satire of Indonesian society.
Martial Art
Main articles: Silat and Pencak Silat
The art of silat was created and firstly developedin the islands of Java and Sumatra.
It is an art for survival and practiced throughout Indonesian
archipelago. Centuries of tribal wars in Indonesian history had shaped
silat as it was used by the ancient warriors of Indonesia. Silat was
used to determine the rank and position in old Indonesian kingdoms.
Contacts with Indians and Chinese
was further enriched silat. Silat reached areas beyond Indonesia mainly
through diaspora of Indonesian people. People from various regions like
Aceh, Minangkabau, Riau, Bugis, Makassar, Java, Banjar, etc. moved into and settled in Malay Peninsula and other islands. They brought silat and passed it down to their descendants. The Indonesian of half-Dutch descent are also credited as the first to brought the art into Europe.
Silat was used by Indonesian freedom fighters during their struggle against the Dutch
colonists. Unfortunately after Indonesia achieving their independence,
silat became less popular among Indonesian youth compare to foreign
martial arts like Karate and Taekwondo.
This probably because silat was not taught openly and only passed down
among blood relatives, the other reason is the lack of media portrayal
of the art.
Efforts have been made in recent years to introduce and reintroduce
the beauty of silat to Indonesian youth and the world. Exhibitions and
promotions by individuals as well as state-sponsored groups helped the
growing of silat's popularity, particularly in Europe and United States. Indonesian 2009 Silat movie Merantau is one of Indonesian efforts to introduce silat to international scene.
Another martial art from Indonesia is Tarung Derajat. It is a modern
combat system created by Haji Ahmad Drajat based on his experience as a
street fighter. Tarung Drajat has been acknowledge as a national sport
by KONI in 1998 and is now using by Indonesian Army as part of their basic training.
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